Ragas Created by Nazrul

Kazi Nazrul Islam, popularly known as the ‘Rebel Poet’ of Bengal, is a legendary figure in the world of music and literature. Although he is predominantly celebrated for his evocative poems and songs that served as a powerful tool against British colonialism in India, what is often underemphasized is his monumental contribution to classical music. One of Nazrul’s most distinguishing legacies is his creation and introduction of new ragas. This article delves into the musical genius of Nazrul and the ragas he introduced.

Ragas Created by Nazrul

 

 

A Brief Background of Nazrul

Born in 1899, Nazrul’s journey from a small town in Bengal to the forefront of India’s literary and cultural stage was marked by resistance, courage, and an indomitable spirit. He was not just a poet; he was also a lyricist, composer, and playwright. The diversity in his works – from fiercely patriotic songs to soulful spiritual odes – underscores his profound understanding of human emotions and societal dynamics.

 

 

Nazrul’s Foray into Music

Nazrul’s immersion into music began with his association with Letor Dal (folk theatre troupe) during his youth. His exposure to various folk traditions, coupled with his in-depth study of both Hindu and Muslim music, enabled him to produce a unique confluence of styles.

Classical music, during Nazrul’s time, was mainly a domain dominated by the traditional ragas and strict conventions. But Nazrul, being the rebel he was, sought to break these boundaries. While he deeply respected the sanctity of classical music, he believed in its evolution, thereby leading to the creation of new ragas.

 

 

Ragas Introduced by Nazrul

1. Raga Priyadarshini: This raga was a beautiful blend, reflecting Nazrul’s philosophy of harmony and synthesis. Priyadarshini was designed with elements from two pre-existing ragas: Raga Bhairav and Raga Khamaj. The raga resonates with a melodious allure, giving composers a chance to explore themes of love, longing, and devotion.
2. Raga Nupurdwani: Nupurdwani is another testament to Nazrul’s innovative prowess. The raga encapsulates the essence of rhythmic anklets (nupur) and is thus aptly named. Nupurdwani offers a fascinating auditory experience, allowing the audience to almost ‘hear’ the sound of dancing anklets.
3. Raga Kangsabati: Named after the river Kangsabati in Bengal, this raga embodies the ebb and flow of river currents. It’s serene and has an undercurrent of melancholy, making it perfect for evoking themes of nostalgia, nature, and life’s transient nature.

Apart from these, Nazrul also dabbled in reshaping and restructuring some of the existing ragas, infusing them with his signature style. For instance, he introduced variations in Ragas like Kafi, Bhairav, and Pahadi.

 

 

The Philosophy Behind Nazrul’s Ragas

Nazrul’s ragas were not just musical constructs; they were reflections of his worldview. Being a staunch advocate for communal harmony, he constantly sought to merge Hindu and Muslim musical traditions. His ragas are representative of this synthesis, emphasizing unity, love, and shared cultural heritages.

Furthermore, by introducing new ragas, Nazrul aimed to democratize the world of classical music. He believed in the fluidity of music, in its ability to evolve, adapt, and grow. Through his creations, he sent a clear message: classical music is not just for the elites; it’s a universal language that everyone should have access to and enjoy.

 

 

Legacy

Today, Nazrul Geeti (Songs of Nazrul) forms an essential part of the Bengali musical landscape. However, the appreciation for his ragas goes beyond Bengal and has been recognized and celebrated internationally.

Many contemporary artists have been inspired by Nazrul’s ragas, employing them in their compositions and further enhancing their richness. The new ragas have not only added to the repertoire of classical musicians but also served as a source of inspiration for composers in various genres.

 

 

Kazi Nazrul Islam, with his fierce spirit and avant-garde approach to music, carved a unique niche in the world of classical music. His contributions, especially the creation of new ragas, have expanded the horizons of Indian classical music. Nazrul’s ragas are a testament to his belief in unity, harmony, and the transformative power of music. Through them, he not only gave the world new melodies to cherish but also left behind a philosophy of inclusivity and evolution in the arts.